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Josef Gabriel Rheinberger
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Rheinberger: Kammermusik 1 (Gesamtausgabe, Bd. 29) (RHEINBERGER JOSEF GABRIEL)
Chamber Orchestra
[Sheet music]
Carus Verlag
Par RHEINBERGER JOSEF GABRIEL. RheinbergerÂ’s string quartets, his string quinte...
(+)
Par RHEINBERGER JOSEF GABRIEL. Rheinberger’s string quartets, his string quintet and his nonet for winds and strings were often performed and were very successful works during his lifetime. Their density, but also the delicateness of the scherzo movements are in the tradition of Schumann and Mendelssohn and these traits are combined with Rheinberger’s sense for the clear, defined structure of the movements and solid contrapuntal writing. The octet for winds and strings is published here for the first time and the nonet, which is actually a reworking of this octet that Rheinberger undertook some twenty years later, is also published in this volume. Rheinberger made major changes from the original octet and headded two new movements to the nonet. Both works show especially the interest and pleasure which he derived from the variety in the differentiation of colors in ensemble playing. The Thema mit Veränderungen op. 93, which until now has been known as a work for string quartet, is published here with the double bass part which Rheinberger later added./ Répertoire / Ensemble de Chambre
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Rheinberger Ga 11 (RHEINBERGER JOSEF GABRIEL)
Solistes SSATBB et Orchestre
[Sheet music]
Carus Verlag
Oper In 3 Akten. Par RHEINBERGER JOSEF GABRIEL. Rheinberger was inspired to comp...
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Oper In 3 Akten. Par RHEINBERGER JOSEF GABRIEL. Rheinberger was inspired to compose his first opera by the great cycle of aquarelles entitled “Von den Sieben Raben” by the painter Moritz von Schwind [1804–1871], with whom he was acquainted. The libretto by Franz Bonn [1830–1904] follows in its essentials the story depicted in these pictures, rather than the Grimm fairytale of the same name. The work had its successful world première, conducted by the composer, on 23 May 1869 at the Königliche Hof- und Nationaltheater in Munich. After the second performance in Munich, on the 8 September 1869, a reviewer wrote in the Augsburger Allgemeine Zeitung: “The composer was able to express the enchantment of the story, itshigh-spirited simplicity and deep feeling, with great skill, and the lyrical passages of the opera provide the most positive proof of Rheinberger’s talent. ” Possibly Engelbert Humperdinck, who was a pupil of Rheinberger in Munich from 1877 until 1879, was inspired by Die sieben Raben to compose his fairy tale opera Hänsel und Gretel [1893], which helped this genre to achieve great success. / Opéra-opérette / Répertoire / Solistes SSATBB et Orchestre
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Missa In F (RHEINBERGER JOSEF GABRIEL)
Choeur TTBB et Orgue
[Sheet music]
Carus Verlag
Tonalité : F-Dur - Op.: 190 -. Par RHEINBERGER JOSEF GABRIEL. Rheinbergers letz...
(+)
Tonalité : F-Dur - Op.: 190 -. Par RHEINBERGER JOSEF GABRIEL. Rheinbergers letzte vollendete Messvertonung ist diese F-Dur Messe. Die in den Skizzen enthaltene Devise 'Pro omni tempore, Kat'exochen' sollte die Eignung der Komposition für alle Zeiten des Kirchenjahres anzeigen; der Untertitel ist in die späteren Quellen jedoch nicht eingegangen. / Messe / Répertoire / Choeur TTBB et Orgue
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Missa In F (RHEINBERGER JOSEF GABRIEL)
Choeur TTBB et Orgue
[Sheet music]
Carus Verlag
Tonalité : F-Dur - Op.: 190 -. Par RHEINBERGER JOSEF GABRIEL. Rheinbergers letz...
(+)
Tonalité : F-Dur - Op.: 190 -. Par RHEINBERGER JOSEF GABRIEL. Rheinbergers letzte vollendete Messvertonung ist diese F-Dur Messe. Die in den Skizzen enthaltene Devise 'Pro omni tempore, Kat'exochen' sollte die Eignung der Komposition für alle Zeiten des Kirchenjahres anzeigen; der Untertitel ist in die späteren Quellen jedoch nicht eingegangen. / Messe / Répertoire / Choeur TTBB et Orgue
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Das Zauberwort (RHEINBERGER JOSEF GABRIEL)
[Sheet music]
Carus Verlag
Singspiel In Zwei Akten Für Die Jugendliche Welt. Par RHEINBERGER JOSEF GABRIEL...
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Singspiel In Zwei Akten Für Die Jugendliche Welt. Par RHEINBERGER JOSEF GABRIEL. Rheinbergers Singspiel, frei nach dem Märchen „Kalif Storch“, hat orientalisches Flair. Der Kalif und der Großwesir von Bagdad werden durch magische List eines Rivalen in Störche verwandelt. Ein Zauberwort kann sie wieder zurückverwandeln, doch ist es ihnen entfallen … Kann die Nachteule die beiden retten? Die Geschichte vom Kalifen, dem Tuchkrämer und den Tieren bietet eine bunte Palette an Verkleidungsmöglichkeiten. Für die liedhaften Soli, Duette und Terzette braucht man jugendliche Sänger, der zweistimmige Chor aber ist so einfach gehalten, dass ihn auch kleinere Kinder gut singen können. / Opéra-opérette / Répertoire / 7 Solistes, 5 Récitants, Choeur SA et Piano (2 à 4
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Rheinberger: Konzertouvertüren (Gesamtausgabe, Bd. 25) (RHEINBERGER JOSEF GABRIEL)
Orchestra
[Sheet music]
Carus Verlag
Par RHEINBERGER JOSEF GABRIEL. Rheinberger's concert overtures are completely be...
(+)
Par RHEINBERGER JOSEF GABRIEL. Rheinberger's concert overtures are completely beholden to the tradition of the genre established at least since the 1820s. The spread of this genre was favored in equal measure by the growth of bourgeois musical culture and the overwhelming model of Beethoven's nine symphonies, which sowed a certain perplexity and discouragement among composers of the next generation and led them to turn increasingly to the smaller single-movement genre in their orchestral music. Soon a generic distinction arose between two types of overture. One was the autonomous overture, whose character results from its specific introductory function. Rheinberger's Academic Overture follows in thissame line of tradition. The other type was the overture with subject-matter, in which the romantic inclination to recreate extra-musical material in music found an expecially fruitful field of exploration. Having originated as the opening item of an opera or play, the overture had, after all, long been accustomed to accommodating the contents of the work that followed. The concert overture on an extra-musical subject is in turn associated in particular with the works of Felix Mendelssohn Bartholdy. Rheinberger too, closely modeled his opp. 11 and 110 on Mendelssohn's overtures./ Répertoire / Orchestre
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Missa In Es (RHEINBERGER JOSEF GABRIEL)
Choeur SSA et Orgue
[Sheet music]
Carus Verlag
Tonalité : Es-Dur - Op.: 155 -. Par RHEINBERGER JOSEF GABRIEL. Rheinberger sche...
(+)
Tonalité : Es-Dur - Op.: 155 -. Par RHEINBERGER JOSEF GABRIEL. Rheinberger scheint von der satztechnischen Qualität und der liturgischen Brauchbarkeit dieses Werkes überzeugt gewesen zu sein, denn er legte ein Exemplar der Messe dem Leiter der Regensburger Kirchenmusikschule, Franz Xaver Haverl, zur Begutachtung vor. Rheinberger hat die von Haberl geäußerten Änderungswünsche beherzigt und nahm an den entsprechenden Stellen Änderungern vor. / Messe / Répertoire / Choeur SSA et Orgue
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Missa In A (RHEINBERGER JOSEF GABRIEL)
[Sheet music]
Carus Verlag
In Nativitate Domini'. Par RHEINBERGER JOSEF GABRIEL. Rheinberger's 'Mass in A M...
(+)
In Nativitate Domini'. Par RHEINBERGER JOSEF GABRIEL. Rheinberger's 'Mass in A Major' is a work that ist easy to perform. Making no use of polyphonic developments, it remains within a harmonic style that is lightened by brief imitative phases. The organ accompaniment serves as a tonal support and expands the three-part writing into four parts. / Messe / Répertoire / Orchestre: Choeur SSA, Flûte Traversière, 2 Violon
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Missa In A (RHEINBERGER JOSEF GABRIEL)
[Sheet music]
Carus Verlag
In Nativitate Domini'. Par RHEINBERGER JOSEF GABRIEL. Rheinberger's 'Mass in A M...
(+)
In Nativitate Domini'. Par RHEINBERGER JOSEF GABRIEL. Rheinberger's 'Mass in A Major' is a work that ist easy to perform. Making no use of polyphonic developments, it remains within a harmonic style that is lightened by brief imitative phases. The organ accompaniment serves as a tonal support and expands the three-part writing into four parts. / Messe / Répertoire / Orchestre: Choeur SSA, Flûte Traversière, 2 Violon
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Sinfonie In F (RHEINBERGER JOSEF GABRIEL)
[Sheet music]
Carus Verlag
Florentiner Sinfonie'. Par RHEINBERGER JOSEF GABRIEL. Rheinberger began work on ...
(+)
Florentiner Sinfonie'. Par RHEINBERGER JOSEF GABRIEL. Rheinberger began work on his second Symphony during his visit to Italy with his wife in 1874. He was commissioned to write it by an orchestral society in Florence – an indication that his reputation had already spread throughout Europe. The autograph score contains a poem by his wife Fanny, which in four sections expressed the moods of impressions of the visit which seem to underlie the symphony. Contemporaries praised particularly the ”beauty of the Adagio. ” The work is here presented for the first time in an edition based critically on the sources./ Répertoire / Piccolo, 2 Flûtes Traversières, 2 Hautbois, 2 Clar
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Sinfonie In F (RHEINBERGER JOSEF GABRIEL)
[Sheet music]
Carus Verlag
Florentiner Sinfonie'. Par RHEINBERGER JOSEF GABRIEL. Rheinberger began work on ...
(+)
Florentiner Sinfonie'. Par RHEINBERGER JOSEF GABRIEL. Rheinberger began work on his second Symphony during his visit to Italy with his wife in 1874. He was commissioned to write it by an orchestral society in Florence – an indication that his reputation had already spread throughout Europe. The autograph score contains a poem by his wife Fanny, which in four sections expressed the moods of impressions of the visit which seem to underlie the symphony. Contemporaries praised particularly the ”beauty of the Adagio. ” The work is here presented for the first time in an edition based critically on the sources./ Répertoire / Piccolo, 2 Flûtes Traversières, 2 Hautbois, 2 Clar
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Sinfonie In F (RHEINBERGER JOSEF GABRIEL)
[Sheet music]
Carus Verlag
Florentiner Sinfonie'. Par RHEINBERGER JOSEF GABRIEL. Rheinberger began work on ...
(+)
Florentiner Sinfonie'. Par RHEINBERGER JOSEF GABRIEL. Rheinberger began work on his second Symphony during his visit to Italy with his wife in 1874. He was commissioned to write it by an orchestral society in Florence – an indication that his reputation had already spread throughout Europe. The autograph score contains a poem by his wife Fanny, which in four sections expressed the moods of impressions of the visit which seem to underlie the symphony. Contemporaries praised particularly the ”beauty of the Adagio. ” The work is here presented for the first time in an edition based critically on the sources./ Répertoire / Piccolo, 2 Flûtes Traversières, 2 Hautbois, 2 Clar
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Missa In A (RHEINBERGER JOSEF GABRIEL)
[Sheet music]
Carus Verlag
In Nativitate Domini'. Par RHEINBERGER JOSEF GABRIEL. Rheinberger's 'Mass in A M...
(+)
In Nativitate Domini'. Par RHEINBERGER JOSEF GABRIEL. Rheinberger's 'Mass in A Major' is a work that ist easy to perform. Making no use of polyphonic developments, it remains within a harmonic style that is lightened by brief imitative phases. The organ accompaniment serves as a tonal support and expands the three-part writing into four parts. / Messe / Répertoire / Orchestre: Choeur SSA, Flûte Traversière, 2 Violon
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Sinfonie In F (RHEINBERGER JOSEF GABRIEL)
[Sheet music]
Carus Verlag
Florentiner Sinfonie'. Par RHEINBERGER JOSEF GABRIEL. Rheinberger began work on ...
(+)
Florentiner Sinfonie'. Par RHEINBERGER JOSEF GABRIEL. Rheinberger began work on his second Symphony during his visit to Italy with his wife in 1874. He was commissioned to write it by an orchestral society in Florence – an indication that his reputation had already spread throughout Europe. The autograph score contains a poem by his wife Fanny, which in four sections expressed the moods of impressions of the visit which seem to underlie the symphony. Contemporaries praised particularly the ”beauty of the Adagio. ” The work is here presented for the first time in an edition based critically on the sources./ Répertoire / Piccolo, 2 Flûtes Traversières, 2 Hautbois, 2 Clar
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Missa In A (RHEINBERGER JOSEF GABRIEL)
[Sheet music]
Carus Verlag
In Nativitate Domini'. Par RHEINBERGER JOSEF GABRIEL. Rheinberger's 'Mass in A M...
(+)
In Nativitate Domini'. Par RHEINBERGER JOSEF GABRIEL. Rheinberger's 'Mass in A Major' is a work that ist easy to perform. Making no use of polyphonic developments, it remains within a harmonic style that is lightened by brief imitative phases. The organ accompaniment serves as a tonal support and expands the three-part writing into four parts. / Messe / Répertoire / Orchestre: Choeur SSA, Flûte Traversière, 2 Violon
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Missa In A (RHEINBERGER JOSEF GABRIEL)
[Sheet music]
Carus Verlag
In Nativitate Domini'. Par RHEINBERGER JOSEF GABRIEL. Rheinberger's 'Mass in A M...
(+)
In Nativitate Domini'. Par RHEINBERGER JOSEF GABRIEL. Rheinberger's 'Mass in A Major' is a work that ist easy to perform. Making no use of polyphonic developments, it remains within a harmonic style that is lightened by brief imitative phases. The organ accompaniment serves as a tonal support and expands the three-part writing into four parts. / Messe / Répertoire / Orchestre: Choeur SSA, Flûte Traversière, 2 Violon
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Sinfonie In F (RHEINBERGER JOSEF GABRIEL)
[Sheet music]
Carus Verlag
Florentiner Sinfonie'. Par RHEINBERGER JOSEF GABRIEL. Rheinberger began work on ...
(+)
Florentiner Sinfonie'. Par RHEINBERGER JOSEF GABRIEL. Rheinberger began work on his second Symphony during his visit to Italy with his wife in 1874. He was commissioned to write it by an orchestral society in Florence – an indication that his reputation had already spread throughout Europe. The autograph score contains a poem by his wife Fanny, which in four sections expressed the moods of impressions of the visit which seem to underlie the symphony. Contemporaries praised particularly the ”beauty of the Adagio. ” The work is here presented for the first time in an edition based critically on the sources./ Répertoire / Piccolo, 2 Flûtes Traversières, 2 Hautbois, 2 Clar
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Missa In A (RHEINBERGER JOSEF GABRIEL)
[Sheet music]
Carus Verlag
In Nativitate Domini'. Par RHEINBERGER JOSEF GABRIEL. Rheinberger's 'Mass in A M...
(+)
In Nativitate Domini'. Par RHEINBERGER JOSEF GABRIEL. Rheinberger's 'Mass in A Major' is a work that ist easy to perform. Making no use of polyphonic developments, it remains within a harmonic style that is lightened by brief imitative phases. The organ accompaniment serves as a tonal support and expands the three-part writing into four parts. / Messe / Répertoire / Orchestre: Choeur SSA, Flûte Traversière, 2 Violon
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Sinfonie In F (RHEINBERGER JOSEF GABRIEL)
[Sheet music]
Carus Verlag
Florentiner Sinfonie'. Par RHEINBERGER JOSEF GABRIEL. Rheinberger began work on ...
(+)
Florentiner Sinfonie'. Par RHEINBERGER JOSEF GABRIEL. Rheinberger began work on his second Symphony during his visit to Italy with his wife in 1874. He was commissioned to write it by an orchestral society in Florence – an indication that his reputation had already spread throughout Europe. The autograph score contains a poem by his wife Fanny, which in four sections expressed the moods of impressions of the visit which seem to underlie the symphony. Contemporaries praised particularly the ”beauty of the Adagio. ” The work is here presented for the first time in an edition based critically on the sources./ Répertoire / Piccolo, 2 Flûtes Traversières, 2 Hautbois, 2 Clar
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Missa In A (RHEINBERGER JOSEF GABRIEL)
[Sheet music]
Carus Verlag
In Nativitate Domini'. Par RHEINBERGER JOSEF GABRIEL. Rheinberger's 'Mass in A M...
(+)
In Nativitate Domini'. Par RHEINBERGER JOSEF GABRIEL. Rheinberger's 'Mass in A Major' is a work that ist easy to perform. Making no use of polyphonic developments, it remains within a harmonic style that is lightened by brief imitative phases. The organ accompaniment serves as a tonal support and expands the three-part writing into four parts. / Messe / Répertoire / Orchestre: Choeur SSA, Flûte Traversière, 2 Violon
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Missa In A (RHEINBERGER JOSEF GABRIEL)
[Sheet music]
Carus Verlag
In Nativitate Domini'. Par RHEINBERGER JOSEF GABRIEL. Rheinberger's 'Mass in A M...
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In Nativitate Domini'. Par RHEINBERGER JOSEF GABRIEL. Rheinberger's 'Mass in A Major' is a work that ist easy to perform. Making no use of polyphonic developments, it remains within a harmonic style that is lightened by brief imitative phases. The organ accompaniment serves as a tonal support and expands the three-part writing into four parts. / Messe / Répertoire / Orchestre: Choeur SSA, Flûte Traversière, 2 Violon
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Missa In A (RHEINBERGER JOSEF GABRIEL)
[Sheet music]
Carus Verlag
In Nativitate Domini'. Par RHEINBERGER JOSEF GABRIEL. Rheinberger's 'Mass in A M...
(+)
In Nativitate Domini'. Par RHEINBERGER JOSEF GABRIEL. Rheinberger's 'Mass in A Major' is a work that ist easy to perform. Making no use of polyphonic developments, it remains within a harmonic style that is lightened by brief imitative phases. The organ accompaniment serves as a tonal support and expands the three-part writing into four parts. / Messe / Répertoire / Orchestre: Choeur SSA, Flûte Traversière, 2 Violon
5.80 EUR - Sold by LMI-partitions
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Rheinberger - Wallenstein (Gesamtausgabe, Bd. 23)
[Sheet music]
Carus Verlag
Sinfonisches Tongemälde. Par RHEINBERGER JOSEF GABRIEL. Rheinberger’s first Sy...
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Sinfonisches Tongemälde. Par RHEINBERGER JOSEF GABRIEL. Rheinberger’s first Symphony was among the most successful and frequently performed new symphonies following its premiere in 1866. This “symphonic tone painting” in four movements [Prelude, Thekla, Wallenstein’s Camp, Wallenstein’s Death], which is based on Schiller’s trilogy of dramas, was Rheinberger’s only excursion into the realm of programme music. The influence of Beethoven is unmistakable, the lively 3rd movement [scherzo/trio] depicts with much humour the life of a soldier, and the sermon portrays of the zealous capuchin monk./ Répertoire / Piccolo, 2 Flûtes Traversières, 2 Hautbois, 2 Clar
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Josef Gabriel Rheinberger
Carte Postale
[Sheet music]
Carus Verlag
Hecht, Fr. (Illustr.) - Rheinberger, Josef Gabriel (Trad.) -/ Répertoire / Cart...
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Hecht, Fr. (Illustr.) - Rheinberger, Josef Gabriel (Trad.) -/ Répertoire / Carte Postale
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Rheinberger Ga 31 (RHEINBERGER JOSEF GABRIEL)
Chamber Orchestra
[Sheet music]
Carus Verlag
Par RHEINBERGER JOSEF GABRIEL. Volume 31 contains, among other works, the Piano ...
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Par RHEINBERGER JOSEF GABRIEL. Volume 31 contains, among other works, the Piano Quartet, which was enthusiastically received by the critics in Rheinberger’s time: “The themes are noble, with significant content, the motivic development is rich and interesting, above all free from anything resembling a mould … and such a healthy musical wind blows through the entire work that I believe I am not mistaken if I forsee for this work a great success. ” This is how a contemporary critic reviewed the work. Indeed, op. 38 proceeded to become the most successful of Rheinberger’s chamber music works during his lifetime. The Sextet op. 191b is an effective arrangement of his Piano Trio No. 4 op. 191, for flute, oboe, clarinet, bassoon, horn and piano. All works are also available in separate editions./ Répertoire / Ensemble de Chambre
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